McGee: The Sound of Medieval Song - Ornamentation and Vocal Style According to the Treatises Instrument_Cornamuse Facsimile of Corelli's Opus 3

Facsimile of Corelli's Opus 3 Sonatas for 2 violins

commonly known as Baroque pitch

which enables players to move around freely as they are playing

Note the Susato Keys on low -C- to low -F#- whistles

McGee: The Sound of Medieval Song - Ornamentation and Vocal Style According to the Treatises Instrument_Cornamuse Facsimile of Corelli's Opus 3The Sound of Medieval Song is a study of how sacred and secular music was actually sung during the Middle Ages. The source of the information is the actual notation in the early manuscripts as well as statements found in approximately 50 theoretical treatises written between the years 600 1500. The writings describe various singing practices and both desirable and undesirable vocal techniques, providing a fairly accurate picture of how singers